Happy Holidays Everyone!! Hoping this finds you all truly happy, relaxing, and enjoying your life, loved ones, and the season. Whether loud or quiet 😉 Happy Christmas!!
We hear him first
two blocks away, past Grand Avenue
the din of a parallel freeway, his bass and back up.
Loud, small, young, maybe 14 he plays alone,
nested in a 5-pc kit, on a throne, sidewalk street corner
while hundreds run, tightrope-walk-balance, drive
play soccer around him.
Hard hitting and lush
his tempos tame time in waves that roll
connecting our smiles from inside out before moving
across the Lake into open windows and back through
the Farmer’s market and up on beyond blue where
hungry stars and planets await this little gift
© Tara Linda 2016
This is a most original and fun video! I love this band, their concept playing tunes (Blue Monday by New Order) with old instruments. It all makes me so happy! All of the instruments are from the 1930’s.
I’m inspired by the theremin, the single string on wood that sounds like a deep vina (does anyone know what this is?), the wine glasses (good in any era), and my favorite; short wave radio noise.
I want more.
“Happy” by Pharrel Williams. It has all of the elements of a perfect pop song: infectious musical hook, mantra-like lyrics that resonate, and rhythm and tempo that takes you OVER- no matter WHAT you are doing, or WHERE you are… But here is a blue note about it all.
Because I’m happy
Clap along if you feel like a room without a roof
Because I’m happy
Clap along if you feel like happiness is the truth
As with so many millions of other listeners- I can’t get enough of this song!- “Happy” by Pharrel Williams. It has all of the elements of a perfect pop song: infectious musical hook, mantra-like lyrics that resonate, and rhythm and tempo that takes you OVER- no matter WHAT you are doing, or WHERE you are HA!
Sir Pharrell Williams is up for several Grammy categories, including best video- and I do hope that he bags it righteous clean.
But here is a blue note about it all: As the world moves more and more into streaming, we musicians and songwriters make less and less every year for our song and lyric writing, recording, and distributing. My music yields just a %of pennies each play. But it must be better for a hot musician like Pharrell, yes? Here is what it looks like for a musician who has ‘made it’:
Through the first three months of 2014, “Happy” was streamed 43 million times on Pandora, while “All Of Me” was played 55 million times on the service.
“Happy” brought in just $2,700 in publisher and songwriter royalties in the first quarter of this year, while “All Of Me” yielded just $3,400.
At current rates, Bandier said, one million plays of a song on Pandora typically translates to only approximately $60 in royalties, which then gets shared between the songwriters and publishers.
So, Spotify should, and Pandora will~ “revisit” royalty rates next year. Uh, Yah, you all do that. Meanwhile, some bigtime artists are removing their music from streamlining services. This is just one more reason to make music for ourselves and fans, and distance ourselves farther from the powers that be in the music industry. Sing your Bliss as one friend says, and “don’t hold back.”
Here come bad news talking this and that
Yeah, give me all you got, don’t hold back
Yeah, well I should probably warn you I’ll be just fine
Yeah, no offense to you don’t waste your time
Here’s whyBecause I’m happy
Clap along if you feel like a room without a roof
Because I’m happy
I’m writing lyrics now for at least 5 of our new songs, and wasn’t quiet finished with 3 of them by last night. This is ONE fun thing about writing poetry (and one great thing about writing more often in April): As a poet, you get into the habit of seeing poetry everywhere…
taralinda c.p. 2014
Did you see it? I missed Monday’s show this week, but you can see it was most definitely a night to remember; Legends who defined the genre, crazy-great energy onstage, and mad love in the room….Aretha Franklin, Patti LaBelle, Jill Scott, Janelle Monae, Melissa Ethridge, Ariana Grande.
Did you see it? I missed Monday’s show this week, but you can see it was mos def a night to remember; Legends who defined the genre, bringing their crazy-great energy onstage; so much love in the house. Didn’t realize this series has been going on for decades. But this concert, I’m sure, must take the cake; Aretha Franklin, Patti LaBelle, Jill Scott, Janelle Monae, Melissa Ethridge, Tessanne Chin, Ariana Grande. I just love seeing Janelle Monae and all the risk she takes; she does that old-skool-meets-new with so much flair and confidence; always leaves me wanting more. But then, Divas do that- don’t they!!!!! 😉 ahahaha!
Click on the photo to get to the video on PBS website.
Can’t stop listening to this Argentinian artist Juana Molina. She is the epitome of the stand-alone musician; interesting songs and compositions laid over an ambient backbone of electronics, loopers, backup vocals and guitar.
Can’t stop listening to this Argentinian artist Juana Molina. She is the epitome of the stand-alone musician; interesting songs and compositions laid over an ambient backbone of electronics, loopers, backup vocals and guitar. Her expressive hypnotic voice transports across genres. She takes risk. Sometimes things get strange, but they always stay cool. She inspires me toward independence, more equipment. Less make up~ 😉
When I write new music for a project, whether for my own CDs or someone else’s, or a video, there are usually two seemingly opposite creative things going on. First, once a song or idea ‘takes’, I become obsessively focused with it; the concept, the genre, the instruments, the writer, the frontmen- exploring everything around “it”. All of this led to my discovery of the “First Queen of Swing” songstress Mildred Bailey.
A friend asked recently, “what’s up with the pearls in your shop? I never thought you a pearl person.” True, I used to only make pearl jewelry for my working friends- simple and classic. But singing retro jazz has changed that: I love to layer pearl chokers with longer necklaces, and now make pieces- similar to what I wear on stage- for a new “Onstage and After Hours collection.” Actually, there are specific musical influences that make these more retro than modern… 😉
When I write new music for a project, whether for my own CDs or someone elses, or for a video- there are usually two seemingly opposite creative things going on. First, once a song or idea ‘takes’, I become obsessively focused with it; the concept, the genre, the instruments, the writer, the frontmen- exploring everything about “it”. Second, I always keep a lazy ear open to hear what others on a similar track, are doing/ or might have done, with a similar Muse; it could be 2012 or 1912; a rapper or a legendary composer. These sparks all go into the mix of writing a song several ways, until one ‘catches’. The final version is usually something that self selects; usually by the next morning, when I wake up mindlessly humming one version. Ha! That is my litmus test, if even I can’t get a hook out of my head. 😉
For my latest CD, Torch and Sass, when I was exploring “retro” jazz, my vinyl collection scattered across the floor was only the first springboard of discovery. Then came visits to my favorite music and record stores to talk to experts. I would say “I’m listening to X, and I want to discover more.” I love to see my friends go into overdrive to inspire others, pulling music from bins, spinning turntables, talking story on their favorite artists, songs, labels, with those very cool little known tidbits of info in between. Ah… this fading art! I mean, Wikipedia is good and all, but nothing beats a listening tour back through time, with pictures, and luxuriously long liner notes from album covers. (*Sigh*.) JC at Downhome records is my favorite contact for this, and Dave at Dave’s record shop, Emeryville.
So, this kind of musical sleuthing led me to vocalist Mildred Bailey; somewhere between looking for ukulele jazz, blues driven jazz, and 1930’s composers for Louis Armstrong- Mildred Bailey’s name popped up.
Mildred Bailey from the Pacific Coast, called “First Lady of Swing”, was said to be one of the very first woman singers in jazz, the first to sing with emerging big bands (Paul Whiteman, Eddie Lang, Benny Goodman), AND is said to have been a primary influence for the young Sarah Vaughan. Here is an early tune of Mildred’s, 1931.
Mildred was also the first female musician to get a guaranteed pay in the business, less than half the male musicians of the day, but significant considering. Being one of the first- the road was tough as her biographical notes hint at- Mildred called the “Queen of Swing”, had a versatile voice, and was established quickly with the big-band orchestras of the day. But as the sound of big band grew, so did the preference for women singers who fit a certain look and profile. Though radio made her popular, and her voice was gorgeous, big-band leaders favored more petite female singers. Sadly, this, and health issues, affected her career. A song from the peak of her career in swing- Darn that Dream:
Mildred’s lilt, range, fine, bright tones, and her emotive delivery- that morphs with every song- inspired my singing for Torch and Sass. My voice is a low alto, and many in the lower registers have to work harder to get clear tones in the higher registers; so these women are definitely role models for me.
Mildred’s alleged taste in furs and jewelry, inspired this pearl jewelry collection in my Etsy store. (And grandma’s Majorca pearls.) I was never into pearls before, but these “vintage” pearls of the past seemed a great way to celebrate Mildred’s beautiful voice and contribution toward establishing women in jazz.
Use code pearls20 to get 20% off anything with pearls-until May 31st.
…This is the scary cool fun of it all. There really is that slow motion point in the very beginning of a show, that terrifying second when you walk out, look out at an audience, and know that you have absolutely no control over the next 90 minutes. Despite all the prep work or a full house. HA!
We just had our biggest show of the year, (so far ;)), last week at world premier Yoshi’s jazz club. And a great turn out (Thank you friends for celebrating Spring with us. And dancing…!!).
I always welcome a mental break after these; all the extra energy leading up; getting music ready, planning a live act, promoting, stressing (what if no one shows?!)- and then, going with whatever happens on stage that day.
This is the scary cool fun of it all. There really is that slow motion point in the very beginning of a show, that terrifying second when you walk out, look out at an audience, and know that you have absolutely no control over the next 90 minutes. Despite all the prep work or a full house. HA!
organism of six
apex display onstage-
your mood, your skills, chemistry
of today, could be alchemy Who knows
how your heart will settle behind drums, your
fingers on strings, wind moving over reeds, tapping
or muting sweet a trumpet All inspiring a voice to follow
or Lead Who knows?
¨¨¨°º©©º°¨¨¨¨¨¨°º©©º°¨¨¨¨¨¨¨°º©©º°¨¨¨¨¨¨ Tara Linda
This is what makes each show so different from the last. We feel it as both as musicians and performers. Last week’s show felt more raw, and all the more special for it. We tried new things. And though we may attempt to prepare for everything, the uncertainty plus the freshness of each second = spontaneity. Thankfully, I haven’t had to sing my songs 1000’s of times. Yet 😉 But even if they weren’t fresh, I think I would have to make up new words each show. Or change up the rhythms, something! I couldn’t go through motions, not with something I love so much.
Next up: writing/recording new music for clients. Mentally, even that wants a break. Must fight the inertia…studio calls! Poetry and Music Muses…hover closer…!
This is actually a cool ad: how we never see ourselves as others see us. Just Beautiful.
Mondays are always special because we have a full band rehearsal. …and because of seeing something very up close and personal from the weekend before… and because of drums. You can either see drum solos on my FB, or like/vote/comment to see them here.
Mondays are always special because we have a full band rehearsal. Being around my band family makes me all warm & fuzzy inside; I would do anything for these guys & grrrls. All the study and work they have done all lifelong, times 5 people- on drums, bass, guitar, sax/clarinet, trumpet/clarinet- is all crammed into my little dining room (sans table)- and everyone plays their hearts out. I may write the music, but these are the magic makers that make me want to sing. 🙂 After practice, we all cram around the kitchen table for a quick lunch before everyone takes off into the week. Many of them will have several rehearsals & gigs all week. It is very grounding start to the week; friends, music, & food on Mondays. One day, I will remember to take pics. But here is the studio…
And Mondays are about little things: like looking through weekend pics to find something I saw up close and personal.
And Mondays are special because of drums: I am getting back to the habit of posting a special drum solo on my TL music Facebook page. You can either click on this page to see; (click “like”, button on the right- & add to your list of pages to be notified).
OR If you would rather see drum solos here on Mondays- & if enough people say ‘Yeah!’, then I will post them here too. Why drums? I started there musically, singing behind the kit. The love affair goes on. Rhythm rules!!!
Last week, I posted this:
More macro here…